ABOUT ЯOSΛ MEИKMΛN

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2008-10-30T18:14:00.000-07:00

Every technology possesses its own inherent accidents. ЯOSΛ MEИKMΛN is a Dutch artist/theorist who focuses on visual artifacts created by accidents in digital media. The visuals she makes are the result of glitches, compressions, feedback and other forms of noise. Although many people perceive these accidents as negative experiences, Rosa emphasizes their positive consequences.

By combining both her practical as well as her academic background, she merges her abstract pieces within a grand theory artifacts (a glitch studies). Besides the creation of a formal "Vernacular of File Formats", within her static work, she also creates (narrative) work in her Acousmatic Videoscapes. In these Videoscapes she strives to connect both sound and video artifacts conceptually, technically and sometimes narratively.

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I have shown my work at festivals like Cimatics (Brussels '08 + 09), Blip (Europe and US in 2009), Video Vortex (Amsterdam '08 + Brussels '09), ISEA (Dublin '09), File (Sao Paolo '10) and Transmediale (De '11) and collaborated on art projects together with Alexander Galloway, little-scale, Govcom.org, Goto80 and the internet art collective Jodi.org. I was also one of the organizers/curators of GLI.TC/H festival that took place in Chicago in 2010, and some other festivals.
In 2009 I finished my master thesis (on digital glitch) under the supervision of Geert Lovink and now I am pursuing a PhD at the KHM in Cologne.

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|||I|I|I|II|I||| Rosa Menkman will tweak out with headliner Eat Rabbit, projecting a rapid-fire pixelated overload reminiscent of a Chris Cunningham Nintendo Nightmare.
— Time Out New York (17/12/09)

|||I|I|I|II|I||| Our best machines are made of sunshine; they are all light and clean because they are nothing but signals, electromagnetic waves, a section of a spectrum.
— Haraway, Donna. “A Manifesto for Cyborgs” 1985.

|||I|I|I|II|I||| What's in a name? That which we call a rose by any other name would smell as sweet — Shakespeare 1594

Interviews: TCTD / Klik Magazine / Nisimazine / Radio Fro / Vague Terrain / Dinca / MUBI / BITSYNTHESIS / Rhizome / CREATE DIGITAL MOTION

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2008-03-08T09:07:00.000-08:00

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///////////////////Dates

2012

__/4/2012 - (TBC) ®Nova, SP, Rio and Belo Horizonte, Brasil

31/1/2012 -> 5/2/2012 - Transmediale (chair, pannelist and performance), Berlin, De.

25/1/2012 -> 26/1/2012- Arte Creative: Digital Folklore and The Glitch Moment(um). Talks in La Gaîté Lyrique and Le phenix, Paris and Valenciennes, FR.

2011

02/12/2011 -> 31/12/2011 – Remains in the end Times, San Francisco, US.
19/11/2011 - TCP feat. Áron Birtalan, STRP, Eindhoven, NL.
18/11/2011 - GLI.TC/H, Birmingham, UK.
11/11/2011 -> 12/11/2011 - GLI.TC/H, NL.
02/11/2011 -> 06/11/2011 - GLI.TC/H, Chicago, US.
15/10/2011 - TCP feat. Optical Machines, B.Fleischmann @Cinemateca Brasileira, Sao Paolo, BR.
06/10/2011 -> 09/10/2011 - Centras 11, Kaunas, Lithuania.
21/10/2011 - Telenesia, UK.
24/09/2011 - TCP feat. Áron Birtalan, TodaysArt, The Hague, NL.
14/09/2011 -> 21/09/2011 - TBC ISEA 2011 Istanbul, Turkey.
23/09/2011 - Official opening: A Vernacular of File Formats vs. Extrafile (feat. Kim Asendorf) @ het Hoogt, Utrecht, NL,
for Re:Visie and Dutch Film festival
09/09/2011 - TCP feat. Áron Birtalan @ Gogbot, Eindhoven, Nl.
03/09/2011 - Screening at Ateneo de Valencia, Venezuela.•
03/09/2011 - Speedshow: Chicks on Speed, Linz, Austria.•
26/08/2011 - Screening @ Experimentación Mediática, San Juan, Puerto Rico.•
02/08/2011 -> 20/08/2011 - DeFunct /ReFunct exhibition, Rua Red, Dublin, IE.
02/08/2011 -> 07/08/2011 - RuaRed w/ Karl Klomp, Gijs Gieskes, TokTek, LoVid and Recyclism, Dublin, IE.
19/07/2011 -> 22/07/2011 - Screening TCP @ File, Sao Paolo, Brasil.
23/06/2011 -> 25/07/2011 - Screening Into the Tulgey Woods @ Bent NY, US.
15/06/2011 - It was just a glitch closing concert w/Áron Birtalan, Budapest, Hungary.
01/06/2011 -> 01/07/2011 - Residency&Exhibition w/ Moddr @ quartier21 // 10 years MQ, Vienna, Austria.
27/05/2011 - Video @ It was just a Glitch exhibition, Budapest, Hungary.
12/05/2011 - Performance TCP @ Art in Amsterdam, Trouw, Ams, NL.
05/05/2011 -> 29/05/2011 - Demolish the Eerie Void @ By Mistake Festival, Observatori. Valencia, Es.
16/04/2011 -> 17/04/2011 - Screening @ Virada Cultural, Sao Paolo, Br.
14/04/2011 - Vernacular of File Formats Workshop at STEIM, Amst., NL.
11/04/2011 -> 08/05/2011 - Performative Fail @ File Games. Oi Futuro Flamengo, Rio, Br.
08/04/2011 -> 05/06/2011 - New Psychadelia exhibition, Mu, Eindhoven, NL.
05/04/2011 -> 11/04/2011 - ®Nova performance with ao. ISAN, Evan Voytas and Rafael Rozendaal. Casa França-Brasil, Rio, Br.

27/03/2011 -> 05/04/2011 - ®Nova performance with ao. B. Fleischmann, Karl Kliem and Miltos Menetas. Casa França-Brasil, Rio, Br.

27/03/2011 -> 26/03/2011 - Screening of TCP @ Парти за брой Пролет 2011 на списание Едно/Party Spring Issue Edno Magazine. MIXTAPE 5, в подлеза на НДК под Моста на влюбените.
24/03/2011 - TCP Screening @ Transcosmic Geometry San Francisco, US.
12/03/2011 - Visuals for Kanagawa and Failotron @ Scheinheilig Amst, NL.
12/03/2011 - Pres. of GSM in Video Vortex reader2. Trouw, Amst, NL.
25/02/2011 -> 01/04/2011 - Filtering Failure @ Planetart, Amst, NL.

16/02/2011 - "Acceleration" exhibition @ online Or-Bits

10/02/2011 - Artist talk at Data.ie, Dublin, IR.

03/02/2011 - TCP performance at Transmediale, Berlin, DE.

28/01/2011 -> 31/01/2011 - ArteFiera Bologna, w/FabioParis, IT.

27/01/2011 - DOGtime, Rietveld, Amsterdam, NL.

21/01/2011 -> 01/03/2011 - Getting Closer @ Fe Arts Gallery, Pittsburg, US.
15/01/2011 - Order and Progress soloshow @ GalleryFabioParis, Brescia, IT.

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2008-03-07T10:09:00.000-08:00

30/12/2010 – Far from Perfection & Vectorpunk @ Aboveground Festival, LA, US.
11/12/2010 – Visuals at Improvisado #41, Casa das Caldeiras, Sao Paulo, BR.
10/12/2010 – Video installation at WORM schlußparty Rotterdam, NL.
09-11->22-12-'10 – Residency at labMIS. working on the Glitch Studies Manifesto - movie. Sao Paolo, Br.
11-11->13-11-'10 – videoguerrilha - videos on Rua Agusta buildings. Sao Paolo, Br.
5-11->7-11-'10 – TBA @ Persuit of Failure Symposium in Berlin, De.
2->7-11-'10 – Screening @ Share Festival Sm_Art Mistakes in Torino, It.
30-10->!! – Solo exhibition Galeria NT, Łódź, PL.
15-10-'10 – Impakt Festival Small interview + screening of Radio Dada and Demolish the eerie ▼oid.
30->10-10-'10 – screening of Collapse of PAL @ e-fagia.
5->10-10-'10 – Residency + Performance with Gijs Gieskes + Jankenpop @ databit.me, Saint Remy de Provence, France.
3-10-'10 – Small(ish) closing event gli.tc/h W/ Jon Cates, Jon Satrom, Nick Briz, Evan Meaney, and Jodi.org! @ gli.tc/h

 2-10-'10 – Classes at SAIC & Realtime Event: Visuals for Stallio! w/ Vade @ gli.tc/h  

 1-10-'10 – Classes at SAIC @ gli.tc/h 

30-9-'10 – ♪♫ Performance / / Conversations At the Edge - GeneSiskel Film Center (TBA)
29-9-'10 – Some sort of opening event to kick off the activities (TBA) + Vernacular of File Formats @ Gallery show. @ gli.tc/h
25-09-'10 – Visuals @ Pulsewave, The Tank, New York, US.
18-09-'10 – ♪♫ Performance w/ Peter kirn @ IN/OUT Festival, The Tank, New York, US.
17-09-'10 – ♪♫ Performance + Workshop @ IN/OUT Festival, The Tank, New York, US.
11-09-'10 – Visuals (w/NoteNdo) @ 8Static, Studio34, 4522 Baltimore Ave., Philadelphia, US.
02-09-'10 – Visuals at Schijnheilig, Amsterdam as part of the UVA opening party for the new media students.
23-08-'10 – Reporting @ ISEA/E-culture fare, Dusseldorf, Germany. (for Virtueel Platform)
22-08-'10 – Screening of Radio Dada @ Basement Media Festival, Boston, US.
13->15-08-'10 – Visuals @ Satta Outside, Šventoji, Lithuania.
23-07->28-08-'10 – Screening of Demolish the eerie ▼oid @ Axiom Center for New and Experimental Media in Jamaica Plain, Massachusetts, US.
1/3-07-'10 – Lecture + performance with The Telescopes at “Bigger than Words, Wider than Pictures: Noise, Affect, Politics" conference, University of Salford, Manchester, Uk.
1-07-'10 -> 15-08-'10 – TBA in Nova Rojo ®NOVA exhibition, Museu da Imagem e do Som, São Paulo, Brasil.
26-06-'10 – Performance with Tonylight @ AREA 10, The Sawmill, A10Lab, Peckham, London.
27-06-'10 – Glitch Studies Manifesto in File Festival, SESI' Cultural Centre, São Paulo, Brasil.
04/06-21/08 – Radio Dada in Playlist exhibition, iMAL Brussels
2/3-06-'10 – Week specific visuals for the Foundation week/ Lab for Culture, Brussels
25-05-'10 – ♪♫ Audiovisual live television performance at "i mellemtiden", tv-tv, Dnk, Copenhagen.
25/27-05-'10 – Screening. Radio Dada at Versi9n Chicago, Us

Screening – Screening. Version Festival--Underground Multiplex
Broadcast – Screening. Version Festival--LUMPEN TLVSN
1/5–05-'10 – Blogging @ Mediamatic Prototype Dev Camp ’10, Ams, Nl.

23-04-'10 – Gast bij gevarieerde vrienden Arnhem, Nl.
19/23-04-'10 – Workshop. ArtEZ, Enschede, Nl.
15-04-'10 – Screening. Critical Glitch Artware / Notacon / Blockparty, Cleveland, Ohio US.
14-04-'10 – Talk. Hotpot Lab #4: Niche Music Talk, Steim, Amsterdam, Nl.
09-04-'10 -> 15-05'10 – Exhibition Radio Dada, in Processes, Videospace, Budapest, Hu. photo. 09-04-'10 – Performance with Failotron, Videospace, Budapest, Hu.
02-04-'10 – Site specific projection Westergasterrein, Amsterdam, Nl. documentation.
13–03-'10 – Performance with Failotron and Goto80 @ Micro 3, Budapest, Hu. photo.

25/28–02-'10 – Blogging @ Sonic Acts XIII the poetics of Space, Ams, Nl.
11–02-'10 – Skype lecture Chicago Art School, Chicago, US.
10-12-'09 -> 28-02'10 – Exhibition "The Web starts here - the IP-browser", (with Alexander Galloway, Michael Stevenson, Erik Borra and the Govcom.org Foundation), alternative browsing, exhibition accompanying A Topological Approach to Cultural Dynamics, Arts Santa Mónica, Barcelona, Sp.

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2009
20-12'09 – Visuals @ Public Assembly, Brooklyn, New York, USA.
17/18/19-12'09 – Visuals @ Blip Festival, New York, US.

12–12’09 – Glitch Studies Manifesto with Goto80 @ Media Playgrounds Amsterdam / Salto Live Television. Montevideo, Amsterdam, Netherlands.

05-12'09 – Workshop/Lecture Pixxelpoint Festival, Nova Gorica, Slovenia.
Screening of "Happy Birthday Goto80" @ Pixxelpoint Festival, Nova Gorica, Slovenia.
21–11'09 – Visuals at Opening party Cimatics, Brussels, Belgium. photos.
20-11'09 – Lecture at Video Vortex Conference, Atomium, Brussels, Belgium. photos.
14-11'09 – Reporting at SOTQ Conference, Amsterdam, Netherlands.
14-11'09 – IP Browser at SOTQ Conference, Amsterdam, Netherlands.
09-11'09 – Screening of Together in my Freezer @ Eye&Ear Clinic, Chicago, US.
08-11'09 – Visuals for Apparat @ No Mans Land Tivoli, Utrecht. Photo.
16-10'09 – IP Browser at Impakt Online Festival, Utrecht, Netherlands.
09-10'09 – Performative Fail @ The Persuit of Failure: the rejects
23-09–'09 – Lecturer @ ISEA conference, Belfast, Ireland.
06-08-'09: Visuals for Goto80 @ Assembly, Helsinki, Finland
05-08-'09: Visuals for Goto80 @ Lisäelämä, Turku, Finland

24/25-07-'09: w/Paris, Visuals for Minusbaby and Covox, @ Blip Festival Europe, Aalborg, Dnk.
17-07-'09 – Rooms of Redbull, Amsterdam, Netherlands
06-'09 – Screening of Radio Dada @ TERRITORIOS DIGITALES 2009, Sevilla, Sp. Photo
05-'09 – Curating Art of Artifacts @ Intermerz
05-'09 – Radio Dada @ The Pixel Project
05-'09 – Screening of Radio Dada @ Lev Festival, Gijon, Sp.
05-08-'09: Visuals for Goto80 @ Festen Party #2, Paris, Fr. photo

09-05-'09: Visuals for Goto80 @ Microparty vs Stunfest, Rennes, Fr. photo

05-14-'09: Visuals for Goto80 @ SHARE @ iMal, Brussels, Be. photo

05-15-'09: Visuals for Goto80 @ Pixel Party, Liege, Be.

05-21-'09: Visuals for Goto80 @ Flatbit, Brussels, Be.

05-22-'09: Visuals for Goto80 @ My Bits Are So Chip, Annecy, Fr.

05-23-'09: Visuals for Goto80 @ OFF Nuits Sonores, Lyon, Fr. photo

04-'09 – Collaboration with Jodi on Floater Magazine 2.
04-'09 – Contribution to Standing on the Shoulders of Giants, Århus, Dnk.
(With Raquel Meyers, Goto80, Thea and Jacob Sikker Remin.
03-'09 – Screening of Performative Fail at the Glitch Night @ UCF Cinematheque. Florida, US.
03-'09 - Performance @ Winter Camp photo photo
03-'09 – Reporting @ Institute of Network Cultures Winter Camp.
01-'09 – Organizer Machinima Bits Fesitival 2
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2008
12-'08 – Visuals for Goto80, Computadora and Firestarter @ Doornroosje (Bleepstreet Nethernet Tour 2) photo
11-'08 – VJ Theory participant @ Cimatics Festival, Brussels, BE.
11-'08 – Performance with Jodi @ Cimatics Festival, Brussels, BE. photo
11-'08 – Performance @ Haip festival Ljubljana, Slovenia. photo
11-'08 – Lecturer @ Haip festival, Ljubljana, Slovenia photo/presentation
11-'08 – Screening of Radio Dada @ Haip. photo
09-'08 – Part of the Virtueel Platform Hot 100 creative media talents.
08-'08 – Bookcover for Lev Manovich Software Takes Command analog
08-'08 – Alternative Algorithm Research w/ Alexander Galloway: ip-browser
07-'08 – Macospol: Controversy Mapping Project week (Govcom.org)
04-'08 – Performance and Workshops @ Pasofest, Ankara, Turkey. photoset
02-'08 – Reporting @ Sonic Acts Festival
01-'08 – Performance @ UpRough 10 year ann., Gothenburg, SE.
01-'08 – Performance @ Video Vortex Conference in Amsterdam, NL. video
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2007
09-'07 – Mediamatic: representative for Hackerscamp 2007
08-'07 – Guide @ Come out & Play [a’dam]
08-'07 – De Waag Society: 8 circuit bending workshops @ Picnic Junior photos
08-'07 – Television Performance with de Waag’ Circuit band project
'07 + '08 – reporting for Video Vortex Amsterdam and Brussels
'07 – now – Work with Goto80 and Extraboy [visuals/music videos, images, etc]
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2006 ---->
October 2006 – Screening of Global Warminima [video] at HAFF, Utrecht Netherlands.
February 2006 – Microtel Screening [teletekst page, together with Struba]. R'dam, NL.
and dutch Teletext services from 26 January - 5 February 2006 on channels 1, 2 and 3.
'06 – Co-founded and organized Machinima Bits Festival Amsterdam
'06 – now – Blogging for Masters of Media
'05 – now – Freelance photographer [Vodafone, T-Mobile, now smaller scale]

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2008-03-06T11:48:00.000-08:00

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//////////////////////////Extended Bibliography
(also non artifact related)

Rosa Menkman, The Glitch Moment(um). Network Notebooks 04, Institute of Network Cultures, Amsterdam, 2011. ISBN: 978-90-816021-6-7.

GLI.TC/H READER[ROR] 20111 editors: Nick Briz, Evan Meaney, Rosa Menkman, William Robertson, Jon Satrom, Jessica Westbrook. Publisher: Unsorted Books, Japan. GLITCH@GLI.TC ISBN: 978-4-9905200-1-411-11-11 / ? User Agreement: GLI.TC/H READER[ROR] 20111 is distributed under the "CopyRight" license

Menkman, Rosa. 'Glitch Studies Manifesto'. Geert Lovink and Rachel Somers Miles (eds), Video Vortex Reader II: moving images beyond YouTube, Amsterdam: Institute of Network Cultures, 2011. ISBN: 978-90-78146-12-4,
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Menkman, Rosa. Filtering Failure. Exhibition Catalogue. February 2011.
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Menkman, Rosa. Tipping Point of Failure. Exhibition Catalogue. November 2010.
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Menkman, Rosa. A Vernacular of File Formats. August 2010. Parts also published on Vague Terrain.
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Menkman, Rosa. Entropic elasticity: Critical Glitch Artware && the demoscene. at Furtherfield.org blog May 2010
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Reports at the Mediamatic Dev Camp blog May 2010
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Reports at the Sonic Acits XIII blog January 2010
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Menkman, Rosa. Glitch Studies Manifesto. January 2010.
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Reports at the Society of Query Conference blog
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Menkman, Rosa. The use of artifacts as critical media aesthetics. September 2009. in ISEA 2009 Conference Proceedings Reader. 2010. ISBN: 978-1-905902-05-7.

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Forthcoming:
Rosa Menkman. The Tipping Point of Failure. July 2009. previews
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Mediamatic Hacker Camp blog
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From Weak Ties to Organized Networks
Lovink, Geert (ed.) Editorial Assistance: Margreet Riphagen. Amsterdam: Institute of Network Cultures, July 2009. ISBN: 978-90-78146-08-7.
Menkman, Rosa. "Dyne.org: Opening Eyes and Earlids". p.53-57.
Menkman, Rosa. "Floss Manuals". p.68- 70.
Menkman, Rosa. "Go Back to Start". p.107-109 // p.111-114.
##########################

Menkman, Rosa. The pixel is not a little square. July 2009.
(text on poster of the standing on the shoulders of giants exhibition.
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Menkman, Rosa. "Art of Artifacts". May 2009. Intermerz, Cimatics.
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Reports at Winter Camp blog. Multiple posts in March 2009.
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Menkman, Rosa. Videoscapes. December 2008.
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"ipbrowser" Alternative browsing, (design and concept). August 2008.
(with Alexander Galloway, Erik Borra, Laura van der Vlies, and Michael Stephenson).
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Menkman, Rosa, Tim van der Heijden and Lievnath Faber.
“In Between Manifesto”. May 2008.
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Sonic Acts blog. Multiple posts in February 2008.
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Video Interviews + Blog design. Video Vortext blog. January 2008.
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Masters of Media blog. Multiple posts from 2007-2009
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Menkman, Rosa. Navigating Between the Lines. January 2008
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Multiple authors. Diagnosing the Condition of Iraq: The Web View 2007.
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Menkman, Rosa. 404VoiD.iq. Augustus 2007.
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Master Thesis (2006) sorry, dutch
Menkman, Rosa. Jodi op de Pijnbank. July 2006.
Menkman, Rosa. Bijlagen Jodi op de Pijnbank. July 2006.
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//Art of Artifacts////////////////////////////////////////////////////////////////////////

2007-10-17T10:46:00.000-07:00

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//////////////////////////Art of Artifacts theory
When Noise Art => Filter art = when cool becomes hot!

Menkman, Rosa. "The Glitch Moment(um)". Network Notebooks 04, Institute of Network Cultures, Amsterdam, 2011. ISBN: 978-90-816021-6-7.
http://networkcultures.org/wpmu/portal/publications/network-notebooks/no-04-the-glitch-momentum/
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GLI.TC/H READER[ROR] 20111 editors: Nick Briz, Evan Meaney, Rosa Menkman, William Robertson, Jon Satrom, Jessica Westbrook. Publisher: Unsorted Books
GLITCH@GLI.TC
ISBN: 978-4-9905200-1-411-11-11 / ?User Agreement: GLI.TC/H READER[ROR] 20111 is distributed under the "CopyRight" license, copying/sharing is encouraged/appreciated.
http://dl.dropbox.com/u/9054646/GLI.TC%3AH%2020111%20READER%5BROR%5D.pdf
##########################

Menkman, Rosa. 'Glitch Studies Manifesto (version !$%)' in: Geert Lovink and Rachel Somers Miles (eds), Video Vortex Reader II: moving images beyond YouTube, Amsterdam: Institute of Network Cultures, 2011. ISBN: 978-90-78146-12-4, paperback, 378 pages.
##########################

Menkman, Rosa. Filtering Failure. Exhibition Catalogue. February 2011.
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Menkman, Rosa. Tipping Point of Failure. Exhibition Catalogue. November 2010.
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Menkman, Rosa. A Vernacular of File Formats. August 2010.
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Menkman, Rosa. Entropic elasticity: Critical Glitch Artware && the demoscene. Furtherfield.org website. May 2010.
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Menkman, Rosa. Glitch Studies Manifesto. January 2010.
##########################

Menkman, Rosa. The use of artifacts as critical media aesthetics. Sept. 2009. in: ISEA 2009 Conference Proceedings Reader. March 2010 ISBN: 978-1-905902-05-7.
##########################

Forthcoming:
Rosa Menkman. The Tipping Point of Failure. July 2009. previews
##########################

Menkman, Rosa. Art of Artifacts. May 2009. Intermerz, Cimatics.
##########################

Menkman, Rosa. Videoscapes. December 2008.
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Menkman, Rosa, Tim van der Heijden and Lievnath Faber.
In Between Manifesto. May 2008.
##########################

Menkman, Rosa. 404VoiD.iq. Augustus 2007.
##########################

Master Thesis (2006) sorry, dutch
Menkman, Rosa. Jodi op de Pijnbank. July 2006.
Menkman, Rosa. Bijlagen Jodi op d e Pijnbank. July 2006.
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//////////////////////////More interesting blogposts

Menkman, Rosa. glitches vs glitch art. 4/19/2010.
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Menkman, Rosa. Compression art: visualizing the obscured. 2/23/2010.
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Menkman, Rosa. From enchanting to the default cultivation of artifacts. 7/22/2009.
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Menkman, Rosa. From compression artifact to filter. 2/19/2009.
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Menkman, Rosa. Multiplication can produce powerful glitches. 11/10/2008.
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Menkman, Rosa. In the midst of the serene world of ɥɔʇılƃ. 10/14/2008.
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Menkman, Rosa. « head ». 8/13/2008.
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Menkman, Rosa. The Nexus between Reason and Unr3as0n[4ble]. 8/12/2008.
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Menkman, Rosa. Non-figurative versus disfiguration . 7/13/2008.
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Menkman, Rosa. «´¨`¸* Introduction *¸´¨`». 7/06/2008.
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2007-09-04T15:53:00.000-07:00

Radio Dada at TERRITORIOS DIGITALES 2009, Sevilla, Spain.
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//////////////////////////Exhibitions/Screenings

05/05/2011 -> 29/05/2011 - by Mistake Festival. Sevilla, Es.

11/04/2011 -> ../../2011 - File Games. Rio, Brazil.

08/04/2011 -> 05/06/2011 - New Psychadelia exhibition, Mu, Eindhoven, NL.
The internet is the most influential experience and interface to have emerged over the past decade, having an unprecedented effect on society. The impact on our minds, modes of communication, creativity and even physiology is undeniable. A new wave of artists is emerging that is trying to make sense of our relationship to technology and the internet. The New Psychedelica, curated by Francesca Gavin, is the first exhibition that demonstrates how this work can be seen as a 21st century redefinition of psychedelic art.
Overload The 15 international artists in this exhibition are bringing mostly new works together. All works depict the experience of an overload of information and an excess of imagery. Here video works, sculptures, photographs and digital collages reference video games and retro rave culture, cheap science and totemic tribalism, trash technology and shamanism. A number of works in the exhibition use found footage and dated digital effects, or methods which tweak and misuse technology to break down its structure. The aim is to create a sense of chaos and collapse, excess and avalanche. Together the pieces demonstrate the vitality of the internet as a focus for contemporary art.

25/02/2011 -> 01/04/2011 - Filtering Failure @ Planetart, Amst, NL.
The catalogue can be downloaded here
▓▓Filtering Failure ▓▓▒▒▒▒ ▒▒ ▒▒ ░ ░ ░ In a culture that is continuously accelerating, filters have become a primal commodity. We use them both to open and to close ourselves to or from any kind of possible information. Filters are ubiquitous. However, we only realize their presence when we lack them or when they fail our expectations. On the other hand, modern digital cultures are inseparable from keywords like functionality, s...moothness, order and progress. Interaction designers, programmers and interface developers all work together to understand and execute these mantras. But to really understand these keywords, they have to be defined in relation to what they are not. A successful product designer does not design for the average customer, but instead for the marginal, extreme customer; because when taking the margins as the rule, the middle will take care of itself. ! This is why studying the qualities of disfunction, irregularities, breaks, disorder, damage or even demolition are as important in the development of a new technological product as the researching of its perfect flows and this is also one of the reasons why I think it is important to study failure. The concepts of perfection and failure are a tradeoff of each other. If we want to understand and pursue perfection - we can find this in the pursuit of failure.

21-01->1-03-'11 – Getting Closer Fe Arts Gallery, Pittsburgh, PA.
What is the shape of intimacy in the digital age? What are its values? What does it mean to connect? Getting Closer brings together digital artists working with cutting edge technologies who address connection across physical and metaphorical distances by producing new ways of initiating and exploring intimacy.

15-01->25-02-'11 – Solo exhibition at Fabio Paris Artgallery, Brescia, Italy.

Fabio Paris Art Gallery is proud to present Order and Progress, the first Italian solo show by the Dutch artist Rosa Menkman (Arnhem, The Netherlands 1983), curated by Domenico Quaranta. The title of the show, inspired by the Brazilian flag (Menkman developed one of the works on show in Brazil, during a residency at the São Paulo Museum of Image and Sound), is an ironic and cynical reference to the ideology behind all technological developments: an ideology that the artist combats with her obsessive exploration of the aesthetic, poetic and cultural consequences of the error. Menkman's work focuses on visual artifacts created by accidents in digital media. The visuals she makes are the results of glitches, compressions, feedback and other forms of noise. Although many people perceive these accidents as negative experiences, Rosa emphasizes their positive consequences, and explores their semantic and metaphorical implications at the same time. All this becomes clear watching the works selected for the show, starting from The Vernacular of File Formats (2010). Conceived to illustrate an essay discussing how the incident, if normalized and implemented in software, can easily turn into a banal graphic effect, losing its extraordinary, revelatory potential, this series of prints has its starting point in a black and white video where a heavily made-up Menkman is seen combing her hair (an explicit reference to Marina Abramovic's Art Must Be Beautiful). Manipulated with different kinds of glitches peculiar to different image file formats, the image reveals its dramatic nature, deteriorating under the attack of sudden cuts, grainy effects, erratic blocks of pixels, stripes and lurid colours. The face of the artist is also the subject of the two videos Dear Mr Compression (2009) and The Collapse of PAL (2010). The latter was developed as an audiovisual performance for television, using PAL, the analogue broadcasting signal behind the history of television in Europe, before it finally became obsolete. In different ways, these works highlight the personal and dramatic side of artworks that, at first glance, can appear to focus solely on linguistic and formal issues. The last work on show is a software programme written by the artist which produces glitches that can be transcoded from one file format to another, allowing the user to explore the possibilities explored in The Vernacular of File Formats
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29-10->28-12-'10 – Solo exhibition Galeria NT, Łódź, PL
My exhibition ‘The Tipping Point of Failure’ is about the role of failure in my different phases of glitch art. In my first practical glitch-art I passively framed accidental glitches; the monumental failures of the computer. I collected glitches that resulted from active tinkering and explored new ways in which I could exploit the computers failing draw-capabilities. I also moved along with re-programming and pre-programmed glitches. These first stages are marked by my fascination with hunting down a formal aesthetics of failure that was (or was not) based on technical crudeness; an impetuous glitching that slowly commodified the dynamics, the norms and values of what once was digital punk - although I did not (always) realize this. The work that symbolizes this development is The Vernacular of File Formats; A collection of 7 videos and 10 file format-images in which I actively demystify these most used glitch-effects. In this work I show that the tinkered-glitch has already been transformed into a filter and something that could even be called a commodity or paradigm - but the work also raises the question if this kind of glitching has actually always already been a ready-made commodity (instead of a new form..). My Videoscapes, Glitch Studies Manifesto and the Collapse of PAL show the changing role (or tipping point) of failure in my work. In these works or ‘other’ phase of my glitch-art I am trying to make more conceptualized or narrative glitch-art. While failure sometimes still plays a role, the starting point of these works lies within the exploration of a concept, a call for studying glitch itself or even a narrative rather then failure itself. The exhibitions “the Tipping Point of Failure” does not only refer to the inception of glitch, but should thus also be understood as a critique to the one dimensional “Aesthetics of Failure” that glitch-art is so often aligned with. It is an ode to everything that can happen after the tipping point of failure - within the realm of pure, not yet described glitch-art.

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29-9-'10 – GLI.TC/H Gallery Show, Chicago, US.

In september 2010 I co-orgnized and curated a festival called GLI.TC/H.

It got very nice reviews on amongst others, Rhizome.

GLI.TC/H is an international gathering of noise & new media practitioners in Chicago from September 29 thru October 03, 2010! GLI.TC/H features: realtime audio & video performances with artists who misuse and abuse hardware and software; run-time video screenings of corrupt data, decayed media, and destroyed files; workshops and skill-share-sessions highlighting the wrong way to use and build tools; a gallery show examining glitches as processes, systems, and objects; all in the context of ongoing dialogues that have been fostered by experimentation, research, and play. GLI.TC/H is a physical and virtual assembly which stands testament to the energy surrounding these conversations. Projects take the form of: artware, videos, games, films, tapes, code, interventions, prints, plugins, screen-captures, systems, websites, installations, texts, tools, lectures, essays, code, articles, & hypermedia.
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23-07->28-08-'10 – Screening of Demolish the eerie ▼oid @ Axiom Center for New and Experimental Media in Jamaica Plain, Massachusetts.
Axiom Center for New and Experimental Media is pleased to present Refresh, an exhibition of video and animation work that explores an alternative aesthetic in digital media artwork. Refresh features a group of artists that all ask the viewer to reevaluate our collective definition of digital beauty and the value we place on visual quality in contemporary culture.

Spanning from 8bit and ascii animations to manipulated digital video, this exhibition creates an aesthetic and conceptual dialogue that allows us to question conventions of digital media in our society as well as our relationship to new and past technology. The artists included in this exhibition evoke notions of nostalgia, document unintended artifacts, and experiment with new technologies. In doing so, these artists create a refreshingly alternative digital practice that functions outside of the mainstream aesthetic.

Artists in the show include: Nick Briz, Michelle Ceja, Clint Ennis, Elna Frederick, Doug Goodwin and Rebecca Baron, Duncan Malashock, Rosa Menkman, Andrew Rosinski, and Nicolas Sassoon. This exhibition is curated by Yuri Stone.
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1-07-'10 -> 15-08-'10 – TBA in Nova Rojo ®NOVA exhibition, Museu da Imagem e do Som, São Paulo, Brasil.
Introducing a new kind of creative event, open to public, which takes over MIS, Museu da Imagem e do Som in São Paulo, Brazil, and presents live collaborated work in progress processes by more than 100 selected artists from around the world, featuring live art, music & audiovisuals; performances, video screenings, round tables, workshops and many unpredictable social consequences. 7 weeks of non-stop serious art fun. Only for the happy, the gifted, the curious and the open minded

®NOVA is an interactive, full-environmental experience utilizing color, light, textures, music and design, in the form of collaborative and integrated compositions by a wide range of artists from around the world. From hand-made illustrations to large scale murals to modern digital art; moving image to multimedia convergence, art will be made without the limitations or restrictions of traditional format and will rely heavily on the magic of live improvisation. During this constantly evolving and mutating exhibition, the creative process are to be witnessed as an ongoing work in progress rife with experimentation, challenging traditional and contemporary techniques and the bending of modern technology.
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27-06-'10 – Glitch Studies Manifesto in File Festival, SESI' Cultural Centre, São Paulo, Brasil.
In the Media Art show, which centers around the question of how to "soften" the rigidity of technological functionalities and to create an environment of creativity and artistic thinking.
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04/06-21/08 – Radio Dada in Playlist exhibition, iMAL Brussels
Playlist demonstrates how ubiquitous technologies are no more in the hands of the engineers and corporate guys who produced them. Once released on the market, they start their own life liberated from their creators and industrial producers, a life defined by how we decide to freely use and mis-use them. Playlist gives us a sample of the way musical and visual artists asserted this freedom by taking the time to reinvent the specificites of the computer medium (code, computation generation, machine glitches,...) pushing obsolete game and computing technologies into new directions, far away from expected usages and established aesthetics, far away also from the pressure to consume the next generations of digital products launched on the market. Playlist highlights also the continuum of researches and practices based on reinvention, recycling and repurposing, active not only in mainstream cultures (game, hackers and demoscene, 8-bit and chiptune music) but also in contemporary media arts. This reinvention process is often one of the first steps that leads to innovation and renewal, a collaborative and open process shared by open communities and indivuals with rich, mixed and hybrid profiles.
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Radio Dada [video]
At Versi9n Chicago, Us
Screening Vers10n Festival--Underground Multiplex
Broadcast Vers10n Festival--LUMPEN TLVSN
25/27-05-'10.
Produced by the Public Media Institute, a non profit 501(c)(3) arts organization, Version is an annual springtime arts festival that brings together hundreds of artists, musicians, and educators from around the world to present some of the most challenging ideas and progressive art initiatives of our day. The eleven day festival showcases emerging trends in art, technology and music.

Version festival presents a diverse program of activities featuring an exposition/art fair called the NFO XPO, visiting exhibitions, A temporary shelter project, public interventions, video screenings, interactive technologies, performances, live art, presentations, talks, workshops, art rendezvous and action. Much of Version>10 Territories and Infrastructures was programmed via a call for submissions. Other projects and programs were selected and curated by the Version 10 organizers.
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Vanishing Lines [Site specific projection] for the Media Cities Workshop
Westergasterrein, Amsterdam, Nl.
documentation.
02-04-'10
The Media City is a specialized project development workshop for urban projections in Amsterdam. From March 22 to April 2, eight top international artists from S. Paulo, Lima, Durban, Douala and the Netherlands will be given the opportunity to explore the possibilities of visual programming interfaces for urban facades and develop their own site-specific concept.
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Radio Dada [video]
In Processes, Videospace, Budapest, Hu.
photo.
09-04-'10 -> 15-05'10.
Although the genre of animation is used for a varety of purposes, the present exhibition showcases works that reflect a specifically artistic approach. The six artists presented here work with various media: animation is only one of the tools they use as a vehicle for their themes. Individual artistic strategies are reflected in these animations, sometimes resulting in solutions that are unusual in this genre. The spectrum ranges from 3D animations to animated drawings, to eletronic noises, vector movements, to animated photos.
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the IP-browser [net art]
(with Alexander Galloway, Erik Borra, Laura van der Vlies, and Michael Stephenson), alternative browsing, exhibition accompanying A Topological Approach to Cultural Dynamics, Arts Santa Monica, Barcelona, Spain.
10-12-'09 -> 28-02-'10.
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04-12-'09 -> 11-12-'09. Happy Birtday Goto80 [video]
Pixxelpoint, Nova Gorica/Goriza, Slovenia/Italy.
Program curated by Domenico Quaranta
Catalogue here
We keep on talking about “new media”, while in actually fact these media are anything but new. The Net is twenty years old, if we start counting from the advent of the Web, forty if we start from Arpanet. Spacewar!, the first videogame ever, is more or less the same age. Virtual worlds are the updated, lighter versions of a technology acclaimed as “the future” when Second Life programmers were still in diapers; social networks are the bastard sons of Fidonet. As for the computer, it is younger than Lord Byron, but certainly not than his daughter Ada.

Once upon a time there was the electronic frontier, an abandonware myth which was able to regenerate itself thanks to the continuous advance of the frontier itself. Like in space, in technological progress there's no ocean at the end of the trip. But, unlike the space race, the race to the next technology is endless, and endlessness is boring.
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09-11-'09. Together in my Freezer 2 [video] Ear and Eye Clinic Chicago
Program created by Nick Briz. Described by JonCates
The genre [of glitch] has no recognizable center. No handle. It keeps moving, shape shifting. It blurs when it’s recognized and then only sharpens for brief periods. It is not a genre so much as a tactic for subversion that has become a fashion statement.” - Kim Cascone

Glitch art is aetheticized and fetishized technological [human] errors or anticipated accidents that can produce unintended [desired] results. It functions as a microcosm for new media art, forgrounding a critical relationship to the digital culture in which we find ourselves mired. This program initiates a conversation between glitch artists from all over the world with common concerns. These artists demonstrate the diversity of ways in which glitch can be used to address pertinent issues within digital culture, and in culture at large.

The artists in this program take the otherwise irritable and undesirable erroneous occurrences and malfunctions and embrace them as form. In their practice, as well as in many of their writings and research, errors and bugs are reshaped at times into elegant painterly digitalism, at others into a poetic and essayistic discourse, and often into spastic abrasive assaults of visual/audible noise. These works critically address issues of time, deconstruction, memory, and chance with regards to society’s relationship with technology. They attack the media systems that have been assimilated by popular culture and subvert the slick, sterile, and seemingly perfect surface of technologies propagated by special interests.
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the IP-browser [net art]
(with Alexander Galloway, Erik Borra, Laura van der Vlies, and Michael Stephenson), alternative browsing, Society of the Query Conference, Amsterdam.
14 November 2009.
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the IP-browser [net art]
(with Alexander Galloway, Erik Borra, Laura van der Vlies, and Michael Stephenson), alternative browsing, Impakt festival 09, Utrecht.
Fall 2009.
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Radio Dada [video]
Intermerz 2
TERRITORIOS DIGITALES 2009, Sevilla, Spain.
4/5/6 June 2009.
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1 May 2009Radio Dada [video]
Intermerz 1
Lev Festival 2009, Gijon, Spain.
INTERMERZ is an ongoing curatorial experiment, reconsidering exhibition formats for single screen based video. It is a traveling exhibition with a highly variable form, always adapting itself to its hosting environment.

Its behavior is inspired by the 'pop-up', looking for empty spots within a predefined frame (festival, museum, party, public space,...). But its aim is not to merge. Essentially grounded in relational aesthetics, INTERMERZ can never be isolated. There is no possibility for a solo-show. The 'exhibition' always needs a host as setting, to which it can and will contrast through its ever mutating form and content.
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We live in the spaces built by our discussions [installation/video]
Jacob Sikker Remin w/ Friends – Standing On The Shoulders of Giants (2009) Installation with text and music bits by Goto80. Shown at Machwerket, Århus (dk)
April 2009.
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Performative Fail [video]
Glitch Night @ UCF Cinematheque. Florida, US.
March 2009.
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Radio Dada [video]
Haip Festival 2008, Ljubljana Slovenia.
Screening
November 2008 The HAIP Festival puts on display multimedia art forms resulting from creative use of open technologies and the freedom of artistic expressions in open-source media. It presents works of the young, promising artists and creative engineers on international level, who specialize in top-notch, open-standards-supported arts and multimedia art practices. The festival features individuals and groups with a critical approach towards the technologies that surround us and shape our everyday environment. They generally use open technologies, either as a practical or an ideological decision. Modern practices of technology and creativity often refer to diverse possibilities and choices at the individual’s disposal – everybody is involved in the social progress and development. And if we take a moment to reflect on what we eat, how we communicate, who dictates how we connect, interact, protest and participate, we quickly realize that it’s our turn. That is what also “HAIP” acronim stands for: “Hack-Act-Interact-Progress“.

The main line of presentation will focus on new art of free digital media - and the new media content that enabled it in the first place - while laying special emphasis on technical and legal aspects of new digital media with free access.

The idea about an open-source art festival emerged inside the multimedia centre Kiberpipa (Cyberpipe) collective, formally exsisting as a project of Zavod K6/4. As a biennial festival the first implementation of HAIP was in 2004 and the second in 2006 and they both received big success in terms of participants and resulting projects and warm reception from the public, also reflecting the fact of lack of related festivals. With festival opening topics of contemporary everyday social life we reach to the core of problematics in the field of new information technologies, media and intermedia art. We invite Slovenian as well as foreign artists and creative engineers to join our festival platform. A lot of participating artists also recieved prestigious international awards.
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Global Warminima [video]
HAFF (Holland Animation Film Festival), Utrecht, Netherlands.
Screening
October 2006 Animatie gemaakt voor de Machinima Competition 2006 van het HAFF (Holland Animation Film Festival), Mediamatic & Virma.Rosa Menkman, Ruben Zijlstra, Simon Wald-Lasowski Al Gore has a new challenge: saving the world. The former future president of the United States of America travels around the world to personally promote his film, An Inconvenient Truth, that is about the dangers of global warming. Global Warminima is a Machinima interpretation of the trailer of An Inconvenient Truth. With Global Warminima we explored (and tried to shift) the boundaries of Machinima. Some people might say that this movie is not Machinima, because some of the shots are not made within a real-time 3d, but in a 2d virtual environment. We would like to state though, that our movie can be defined as Machinima. To us, the importance of the word Machinima lies within the use of game-technology, not just real-time 3d virtual environments. Machinima Movie entered for Machinima Competition 2006: Create a Machinima film in less then 7 days. *Organized by Holland Animation Film Festival, Mediamatic and Virma* "Your Machinima must be an interesting reaction to a news event of international, national or local importance that happened no earlier than September 2006 and must clearly refer to it."
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February 2006 Microtel [teletekst page, together with Struba that was included in the Microtel broadcast]
Rotterdam, Netherlands and dutch Teletext services from
26 January - 5 February 2006 on channels 1, 2 and 3.
Screening
Welcome to micromusic teletext television ! !
Microtel is WAS BROADCASTING on Nederlands 1, 2 & 3 NOS Teletext pages 450 - 455!!!
You can also view the emulated teletext at http://teletekst.nos.nl
This new channel is was called Microtel. The station managers are were artists Emma Davidson [Lektrogirl] and Paul B. Davis from Lektrolab. Microtel teletext programs will be were broadcast by NOS, Netherlands public television.
Microtel is was one of the projects curated by ambientTV.net as part of VBI [voluptuously blinking eye] - a submission for the exhibition "Satellite of Love" . This project is was presented by the 35th International Film Festival Rotterdam in association with Witte de With Center for Contemporary Art and the TENT Centre for Visual Arts. The station runs from 26 January to 05 February 2006, but a DVD simulation will run in the gallery until the exhibition close on 26 March 2006.
Up until 04 February 2006, you will be were able to create teletext and email it to Microtel for inclusion on this website, a DVD to be distributed by SCEEN magazine and most importantly broadcast on Netherlands TV station NOS. Check technical information for software downloads and FAQ's to contribute today!
During 26 January to 05 February 2006, you will be were able to visit the VBI Lounge and learn how to create teletext content. Until 26 march 2006 you can view the DVD simulation of Microtel instead. Check workshops for the schedule and see what other activities will be were taking place in the VBI Lounge. Check contact us to find your way to the VBI Lounge in Rotterdam.
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